If I feel like I’ve accomplished something interesting, I know it’s going to find somebody because me as actor-comedian and someone who draws is not that different. ![]() ![]() I don’t work toward the encouragement of the crowd as much as I do myself. Now you’re making art in another medium, really putting yourself out there in another way. Let’s talk about what I call radical vulnerability. Jim Carrey: Pain bodies that have to point themselves at something. As twisted, bleak, gaudy, inflicted, indignant, and furious as they are. I want to ask you about your drawings and texts on Twitter. I want to talk about how we all play our own instrument, how we’re all just trying to write our own “letter to the world.” It strikes me as silly and confining to have gatekeepers, for example, to call one just an actor or only a comedian. Jerry Saltz: I don’t want to talk to you about movies, acting, TV, or Hollywood. On the occasion of his large solo show of drawings at Maccarone Gallery in Los Angeles, I spoke to Carrey before a packed audience about his work, our current political crisis, and how he is an artist in his own right, not just a “celebrity artist.” So much so that he may be one of the best public political cartoonists of our moment: an optically aggressive (bordering on bellicose) combination of Robert Crumb, Mad magazine, Jules Feiffer, and Philip Guston, fueled by outrage and his own indignant imagination. Carrey paints as well, but his drawings are much more original and germane. Now this same winter of his discontent is being brought to bear on the current administration in his viciously perceptive drawings of Trump & Co., which he posts on Twitter.Ĭarrey draws every day, and unlike much of Hollywood, which pats itself on the back at award shows or dons a button on the red carpet for photo ops, he puts his pencil where his passions are - and puts it out there despite dire warnings that being this honest would be “bad” for his career. Jim Carrey has played a lot of transcendentally strange characters in his career, always bringing a dark side to the light and mapping a complex landscape of pathos, pleasure, risk, and fiendish discontent.
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